As readers delve into the story, they learn, along with Kat, that Kat has a deep, violent anger that lies within her. Kahler explained that adding that dark, twisted element to her stories is something that drives her writing. “Give me a seedy underbelly and I will crawl beneath and look around. I love subversive characters. I love examining people’s dark impulses. I love when people triumph over darkness, which I think happens in this book, there’s definitely redemption art… and I really just think that’s also part of the twin trope. People are fascinated by twins because there’s a darkness in literature pertaining to twins… I think that twins sort of necessitate a dark story. You can’t read a bright and happy story with twins.”
For those thinking of pursuing writing as a career, Kahler offers some insight on the publishing process. “…you get your foot in the door, and I think people out there, if there are any aspiring writers, a lot of luck plays into this. So, don’t think you don’t have talent, you have the drive, you have the talent, you keep working on your craft, a lot of it’s luck. You have to hit the right editor on the right day, the right agent on the right day, the right publishing team on the right day, the right marketing group on the right day, and it all comes into play… It’s not an easy business. I feel very, very fortunate to have had whatever success I’ve had and it’s not an easy business and you only write because… you don’t write expecting to make money. Don’t go into publishing thinking you’re going to make money. Go into publishing because you don’t know what else to do with yourself but write.”
Fiction, it’s very liberating, it’s thrilling to have all this freedom, but it also opens you up to a lot of pitfalls. You can write bad dialogue and you can make wrong turns in the narrative.”
Man is not what he thinks he is, he is what he hides.”
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