When Akhbari first began writing, she had a different vision of how her story would turn out. “I, at the beginning, did not expect that this would be a romance… but, I thought of it as more of a heartbreak story and I think over time, that shifted and it’s not a traditional romance in the sense that I think a lot of romance novels follow a certain trajectory, and this is a little different. There is quite a bit more coming-of-age and family relationships that are a part of the story… but it is much closer to a romance than I thought it would be at the beginning, and I think what changed was a conversation with myself, and my editor, and agent about what would be hopeful and optimistic for young people right now, and what might really convey the message I wanted to get across, which is that vulnerability can feel like a risky thing, but it’s also a thing that brings you closer to your connections with other people. So, I’m happy with where we ended up.”
…if people find that they’re running up against obstacles or rejections, that is absolutely part of the [publishing] process and maybe your rejections are happening at the agenting stage, or maybe at the publishing stage, or maybe both…I think the strongest skill you can have to survive in publishing is that persistence.”
In your light I learn how to love. In your beauty, how to make poems. You dance inside my chest where no one sees you, but sometimes I do, and that sight becomes this art.”
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