Regarding her writing process, Lynn prefers to plot out her work first. “I at least know where the end is, but I much prefer having an outline. It’s a lot quicker. If I spend a few days to work out that outline and then I sit and write, it’s a lot quicker and it also means that not so much goes in the trash bin when I’m editing it, whereas I find when I pants it, I’m like, ‘It was beautiful, it’s gotta go, it’s gotta go…’ Plotting does avoid that for me.” Although Lynn has written many pieces of work, she felt only some of her writing were worth a second or third draft. She remarked, “I’ve got many books, some first draft, some second, that have not made the cut in publishing, but I don’t believe every book is for publishing. Some are for learning, and I have a couple of books that were learning books.”
For those aspiring to become full time writers, Lynn has some words of wisdom. “For starters, you can’t give up on it so if this is what you want, don’t expect it to come immediately… when I started writing Amendments… 8-9 years that it took me. If it’s what you want, you just don’t have expectations. Don’t think that this book is going to be the next big thing because I’ve had so many moments where I’m like, ‘This is it. This is it. This is it. No it’s not, no it’s not!’ …Don’t place all your eggs in that basket. If your first book doesn’t do as well as you think it’s going as you wanted it to, as you thought it was going to, then you write the next one. And if the second one doesn’t do as well as you thought, then you write the third one… know that it’s completely possible, but you just can’t give up on it. If you give up on it, you’re never going to get there.”
I write dirty first drafts that no one is allowed to see, ever. I just need to get it down. A minimum of probably four thousand words a day, but aiming for like six.”
In mythology, the Medusa can petrify people with a look, which is a good thing, I think. But the Medusa is a unique symbol – something strong. It’s about going all the way.”
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