Similarly to the characters, Hoffman also faced a distressing encounter when he was 18 that was significant enough to have stayed on his mind years later. While Hoffman’s experience may have been traumatic and unforgettable, his situation was not unique. “The crime that happens, in its way, [is] somewhat mundane, mundane in a terrifying, terrible way… that it happens in parking lots in hundreds of cities every Friday night.” So much so that this type of storyline is a trope used many times in literature. So, how was Hoffman then able to make the story his own? “…I didn’t want to center the book on that trope, right? It drives the plot forward… It draws these men back together. I kind of think of it as the maypole around which the real story is wound, and the real stories are each of these men’s stories and the stories of their families… in some cases they’re lying, in some cases they’re keeping a horrible secret, and in all cases they haven’t really come to grips with the accountability that was demanded of them by what they had done… my way of making the story my own is examining how those repressions and how the lack of accountability can affect it and in a lot of ways introduce rot and problems into the relationships that are most important to them… If my first novel was about expectations, I would say this one is about accountability, as these men were drawn towards accountability, and resisted that accountability, and then made decisions about whether to embrace that accountability. I wanted to explore how that begins to repair some of the damage that they’ve done to their lives. “
True and full accountability must be chosen and it heals, right? And when it is chosen and it doesn’t, that’s when it’s thrust upon you.”
Friendship is born at the moment when one man says to another ‘What! You too? I thought that no one but myself…’”
Podcast: Play in new window | Download
Subscribe: RSS
Want to join the discussion?
Feel free to contribute!